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Aine’s capstone defense for Depicting the Troubles of Northern Ireland in Art by Ann Treacy
April 18, 2022, 6:34 pm
Filed under: St Paul

To graduate Aine needed to do a capstone paper or project. She chose to do a series of three-dimensional works of art, a 30 page paper and a presentation – Depicting the Troubles of Northern Ireland in Art. She has been working on this for months and today she gave her presentation. She did a terrific job.

First – here’s the art:

Bird Cage
Wire bird cage with bird created from paper penal laws, design to restrain the Irish. The cage is broken on purpose. With constraints he bird is living but not flying as it should.

The Red Hand of Ulster:
Taken from the Ulster flag and representing the blood that has been shed

1916 package:
A more literal interpretation of a package full of bullet holes like many you might have seen during the rebellion

Easter Lily:
A memorial to those killed on Bloody Sunday and a message of hope

Phoenix:
A red phoenix made of wore, a representative of the IRA and symbolizing the rise from the ashes

Body Armor:
Warrior’s garb made from actual blanket to represent the Blanket Protest and meant to look like sheep, which are prevalent in Ireland

Toilet Paper Letter:
Bobby Sands communicated (and write a book) by writing it on toilet paper and getting it snuck out of the prison. This is the first chapter of his book.

Bonfire:
The bonfire represents Orangemen’s Day. It demonstrates the impact of icons/art based on your viewpoint. It may feel celebratory to the Protestants but angers and frightens the Catholics.

Second – here’s the story behind the art.

She explained that Irish and British people are not the same, despite the misconception. She started by giving the background of British invasion and occupancy of Ireland – going back to the twelfth century. The Irish and the British have a long contentious relationship, which has manifested greatly based on religion. The British tend to be Protestant; the Irish tend to be Catholics. Laws and discrimination has developed around both political and religious differences.

Aine focused her art on a few more recent segments of activity – or rise ups. She talked about the 1916 Rising, when the Irish Republican Army (IRA) of volunteer (Catholic) soldiers invaded Dublin, centering on the General Post Office (GPO). The GPO still stands in Dublin; the bullet holes remain in the walls. Aine walked by this building a hundred times as a kid.

The 1916 Rising gave birth to Northern Ireland as a separate entity from the Republic of Ireland. It meant the Republic had a great deal of autonomy; while in Northern Ireland, which was more predominantly Protestant, the Irish Catholics suffered.

The Northern Irish Civil Rights Movement bubbled up in the 1970s, buoyed by changes spurred around the world in 1968 (including the US Civil Rights actions). It began as a peaceful push until January 1972, when police killed 13 peaceful protestors. That ignited a flame of violent discontent. On the Catholic side that was the Provisional IRA (Provos); and the Protestant side has the Ulster Defence Association (UDA). These trouble continued through the 1980s and even early 1990s.

The IRA was campaigning to reunite Ireland and/or cease discrimination in Northern Ireland. Many suspected IRA members were arrested and not treated as politic prisoners. There were three major ways that prisoners protested their treatment. The Blanket Protests, where prisoners wore only a blanket. Dirty Protest, where they covered their cells in human excrement and refused to bathe. And the Hunger Strikes, led by Bobby Sands. Many of the hunger strikers died but that effort really caught the attention and ire of the rest of the world.

In 1997, a cease fire was declared and the “Good Friday Agreement” brought political changes and peace to the region. That peace holds today – mostly. Although generations of discrimination have left a mark.



Front and Center at First Ave Peeps Show – solo Peeps Diorama submission by Ann Treacy
April 8, 2022, 9:49 pm
Filed under: St Paul

When the kids we little we used to create Peeps Dioramas for the Pioneer Press contest. Aine and I even did one on 2020 – you know due to COVID boredom. Last year I bought Peeps with good intentions but never got around to building. Those Peeps have been in the cupboard laughing at me for more than a year. Today after lunch I realized that the Peeps deadline was 5pm today. Dramatic pause…

It’s not often that the muse visits me with a burning urge but when it does I’ve got to listen. I decided I was going to Peep, dammit. I thought about possible timely topics – pandemic, war, ongoing racism and people dying because of it, oil winning over water, women losing rights like a needle in a haystack, never-ending winter – nothing felt right. Then I remembered something that does feel right – First Avenue!

So I recreated Front and Center at First Ave Peeps Show.

I hiked up to Art Scraps, the best place to go for diorama inspiration. I had a much bigger box in mind. So I have some thimble-drums and other things I may be selling on eBay soon. (Not really – total cost at Art Scraps was $3.27 – I will leave these tiny purchases to guilt me into another art frenzy next year.) Aine helped me find a box and walked up to the shop for glue and I let the magic work through me. I used the purple Peeps because – Prince. I found fairy lights, which make everything better. I created stars based on the Minnesota bands I’ve seen most recently and/or anyone who sent me a super nice note today. (List includes Kiss the Tiger, Golden Smog, Tina and the B Sides, Mae Simpson, Charlie Parr, Bathtub Cig, Mama Rose, Low Rats and Muskellunge.)

This diorama is inspired by First Ave, it is not a replica. I know the named stars aren’t inside the club. It did occur to me that if I had the time next year I would recreate (with liberties) the Clown Lounge in the basement of The Turf Club – but I’d focus on making the Peeps look like the actual bartenders. I might have to up my art skills through – or face retribution pricing for my pints.

In years past, the Pioneer Press would share Peeps submission on social media and folks could vote on winners. That’s no longer the case. So look surprised when you see me win. Actually I have great respect for the amazing artists with skill and time to create amazing art each year. And I appreciate a pastime that draws non-artists like me in too.

(Also I am allowing this terrible picture Aine took for me – because it looks as nerdy as I felt today.)




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